SC207+SC307
SC207
SC307+TS110
SC203+SC407+SC408
SC208
SC307
SC207
SC407
SC203
SC307
SC307
SC208
SC407
SC407+TS112
SC205
SC307
SC407
SC407
SC208
SC207
SC305
SC407
SC407
SC305
SC205+SC207+TS112
SC207+SC408
SC207
SC207
SC305+TS108
SC207
SC307+SC407+TS112
SC407+TS112
SC207+SC305+TS110
SC205+SC207+SC208
SC307+TS112
SC208
SC307
SC203+SC307+TS108
SC307
SC207+TS108
SC207+SC408
SC307
SC407
SC205+SC307
SC407
SC207+SC208+TS108
SC407
SC207
SC208+TS112
SC407
SC305
SC203
SC207
SC307
SC407
SC305+TS108
SC407
SC3010
SC307
SC3010+TS110
Craig Carter
Craig Carter is one of Australia's most accomplished and well-known Sound Designers. With a career spanning almost 30 years in the industry, Craig has worked on over 70 feature films as well as many television productions. He recently updated his monitoring environment to an EVE Audio system comprising five SC307 three-ways:
"I'm very happy with them (SC307) and the amount of headroom, they're a bit more industrial strength and have much better bottom end than my previous setup. I don't work with a lot of high frequency sounds, most of what I'm doing is trying to get definition in the bottom end, which can be a struggle. They're also punchy, which is a big requirement for a sound designer, as opposed to a more subtle sound if you were working on orchestral scores. And I don't have to drive them too hard to get that punch. They're also quite defined, when I'm doing work where I have to split sounds out around the surrounds it's easier to get the spatial relationships. And they're in an affordable bracket."